Music

Inspired by the historic Dahomey Amazons and founded by three of the biggest powerhouses in African music, Mamani Keïta, Mariam Doumbia, and Oumou Sangare, Les Amazones d’Afrique have been using their voices to advocate for women’s rights since their 2017 debut. The group has never shied away from mashing up tradition and technology. Still, on Musow Dance, with the endlessly inventive production of Jacknife Lee, they lean heavily into an almost entirely electronic sound, turning up the energy several notches with booming 808s, dramatic synth slides, and bursts of vintage disco. But none of these additions ever overshadow the true soul of the music, instead amplifying the already formidable voices of Les Amazones d’Afrique’s ever-evolving lineup (source). ...

Lately, I have become increasingly interested in sound. Of the short films I shoot while hiking, for example, I’ve noticed that I’m primarily interested in their sounds. Footsteps on the ground, birds singing, wind rustling through leaves, things like that. During my motorcycle ride across Europe, I caught myself recording a walk with the Memo app on my iPhone. Listening to it allows me to reconstruct a sharp and surprisingly clear memory of that early morning, just out of the tent at Shelsley Walsh. My interest in sounds is not new; I’ve written about the Field Recordings podcast for example, but lately, I’ve become more aware of the importance of sound memory. During my daily early morning walk, I happen to listen to audiobooks or podcasts with the AirPods Pro, but there is always a lot of friction; I have to force myself into putting them on and, usually, after half an hour or so it is a great relief to take them off and listen to the world around me again (the jury is still out on whether I should leave my AirPods at home or not.) ...

I have been following Cowboy Bebop on Netflix (the anime, not the spinoff TV series). The opening is a visual and musical marvel; I’m enthralled by it. The show’s soundtrack is a unique blend of jazz (big band hard bop, mainly), blues, and a bit of rock, which I’ve never seen before in anime and probably in movies. Even episode titles pay tribute to jazz, blues and rock tracks. We have “Valtz for Venus,” “Sympathy for the Devil,” “My Funny Valentine,” and stuff like that. Adorable. Episodes may appear rambling and superficial at first glance, but they are far from that. They strike a perfect balance between comedy and thought-provoking, often philosophical themes. ...

Happy Easter, everyone. This morning, I completed the long-overdue move of all my ripped CDs from my old 2012 MacBook Pro to the new one and, then, to my iPhone. I’m using Doppler on both devices. I like Doppler, a simple yet elegant MP3 player app with few well-thought-out features. I am increasingly convinced that returning to purchased music is the way. I’ve been listening to streaming services for so long that I almost forgot the accomplishment of listening to music I own. This music was so significant when I first listened to it that it was worth buying and carrying along over the years. It’s tangible, too: it’s sitting right next to me, on my hard disk and my phone; I can look at it and, yes, touch and move it as I please, as I can with my original CDs. The same goes for the new music I buy on Bandcamp or elsewhere. ...

I recently bought Dirty Rat, the absolute banger from Orbital’s 2023 Optical Delusion. It couldn’t be anything different, given that it’s a collaboration between the seminal electronic duo that emerged from the rave era and one of my British favorites, Sleaford Mods. Sleaford Mods’ barbed lyrics perfectly augment Orbital’s concrete-heavy digitalism. Mods’ James Williamson lambasts the people, “blaming everyone in the hospital, everyone at the bottom of the English Channel, and everyone who doesn’t look like a fried animal.” ...

Thanks to Giovanni Ansaldo’s convincing review on yesterday’s issue of Il Mondo podcast, my first Bandcamp purchase1 is the recently released Astral Gold album by Dean McPhee, a British guitarist who combines folk with experimental music and jazz using his telecaster guitar to create endless landscapes. As the title suggests, McPhee’s latest album is a journey into outer space. The album consists of six instrumental pieces, all captivating, enjoyable, and cohesive; they all serve as each other’s natural continuation. Along with the sound of his guitar, the musician uses tape loops, small percussion sounds, and a few synthesizers here and there. The result is a hypnotic moonscape reminiscent of 2001: A Space Odyssey2. ...

I’m growing sick and tired of Spotify’s music-consuming model. There are many compelling and sometimes conflicting reasons, most perfectly outlined in The day I canceled my Spotify subscription on Raed’s blog. I used to cherish music, I used to religiously collect, catalog and enjoy every album on my iPod. I could navigate the endless folders and find that exact song that I needed for that precise moment. Spotify killed that, I listen to what it suggests and just accept that it will go away when it decides to rotate it out. Spotify trained me not to look too hard, to let the flow be, and if that awesome song is gone or removed, don’t worry, we still have a million more. ...

NTS Radio is a family of like-minded and passionate individuals, dedicated to supporting exciting music and culture through online radio and events. NTS uncovers the best of the musical past, celebrates the present and cultivates the future of the underground music scene, and prides itself on being open-minded and experimental. (source) I’m certainly a latecomer, but NTS Radio is the bomb. I have not opened Spotify (whose algorithm I find dull and repetitive) in the last week, not even once. I go straight to NTS to find the best and most diverse music from all genres, played by DJs and independent radio stations worldwide. Absolute banger. ...

Julian Casablancas (The Strokes, The Voidz) says Infinity Repeating is “the last Daft Punk song, ever.” The song was recorded in 2013 as a demo and left unpublished until it was included in the 10th-anniversary edition of Random Access Memories released a few weeks ago. The video is a highly addictive masterpiece. Digging into the comments on YouTube, I found that someone attempted a reconstruction of all the citations included. I’m especially fond of the 8-16-32-bit graphics animation section. Another thing I learned is that Thomas Bangalter, formerly one-half of Daft Punk, said that his fear of artificial intelligence was a factor in why the group split in 2021. ...

Brad Mehldau plays Lennon/McCartney’s I Am the Walrus, from his upcoming album, Your Mother Should Know: Brad Mehldau Plays the Beatles.