music

Lately, I have become increasingly interested in sound. Of the short films I shoot while hiking, for example, I’ve noticed that I’m primarily interested in their sounds. Footsteps on the ground, birds singing, wind rustling through leaves, things like that. During my motorcycle ride across Europe, I caught myself recording a walk with the Memo app on my iPhone. Listening to it allows me to reconstruct a sharp and surprisingly clear memory of that early morning, just out of the tent at Shelsley Walsh....

I have been following Cowboy Bebop on Netflix (the anime, not the spinoff TV series). The opening is a visual and musical marvel; I’m enthralled by it. The show’s soundtrack is a unique blend of jazz (big band hard bop, mainly), blues, and a bit of rock, which I’ve never seen before in anime and probably in movies. Even episode titles pay tribute to jazz, blues and rock tracks. We have “Valtz for Venus,” “Sympathy for the Devil,” “My Funny Valentine,” and stuff like that....

Happy Easter, everyone. This morning, I completed the long-overdue move of all my ripped CDs from my old 2012 MacBook Pro to the new one and, then, to my iPhone. I’m using Doppler on both devices. I like Doppler, a simple yet elegant MP3 player app with few well-thought-out features. I am increasingly convinced that returning to purchased music is the way. I’ve been listening to streaming services for so long that I almost forgot the accomplishment of listening to music I own....

I recently bought Dirty Rat, the absolute banger from Orbital’s 2023 Optical Delusion. It couldn’t be anything different, given that it’s a collaboration between the seminal electronic duo that emerged from the rave era and one of my British favorites, Sleaford Mods. Sleaford Mods’ barbed lyrics perfectly augment Orbital’s concrete-heavy digitalism. Mods’ James Williamson lambasts the people, “blaming everyone in the hospital, everyone at the bottom of the English Channel, and everyone who doesn’t look like a fried animal....

Thanks to Giovanni Ansaldo’s convincing review on yesterday’s issue of Il Mondo podcast, my first Bandcamp purchase1 is the recently released Astral Gold album by Dean McPhee, a British guitarist who combines folk with experimental music and jazz using his telecaster guitar to create endless landscapes. As the title suggests, McPhee’s latest album is a journey into outer space. The album consists of six instrumental pieces, all captivating, enjoyable, and cohesive; they all serve as each other’s natural continuation....

I’m growing sick and tired of Spotify’s music-consuming model. There are many compelling and sometimes conflicting reasons, most perfectly outlined in The day I canceled my Spotify subscription on Raed’s blog. I used to cherish music, I used to religiously collect, catalog and enjoy every album on my iPod. I could navigate the endless folders and find that exact song that I needed for that precise moment. Spotify killed that, I listen to what it suggests and just accept that it will go away when it decides to rotate it out....

NTS Radio is a family of like-minded and passionate individuals, dedicated to supporting exciting music and culture through online radio and events. NTS uncovers the best of the musical past, celebrates the present and cultivates the future of the underground music scene, and prides itself on being open-minded and experimental. (source) I’m certainly a latecomer, but NTS Radio is the bomb. I have not opened Spotify (whose algorithm I find dull and repetitive) in the last week, not even once....

Julian Casablancas (The Strokes, The Voidz) says Infinity Repeating is “the last Daft Punk song, ever.” The song was recorded in 2013 as a demo and left unpublished until it was included in the 10th-anniversary edition of Random Access Memories released a few weeks ago. The video is a highly addictive masterpiece. Digging into the comments on YouTube, I found that someone attempted a reconstruction of all the citations included. I’m especially fond of the 8-16-32-bit graphics animation section....

Brad Mehldau plays Lennon/McCartney’s I Am the Walrus, from his upcoming album, Your Mother Should Know: Brad Mehldau Plays the Beatles.

Wrapped by Spotify, the 2022 edition just landed in my mailbox. This year I listened to twenty-four different genres. My favorite was Indie Jazz, followed by Hip Hop, Jazz, Electronica and Rock. I am a little puzzled about that Hip Hop in second place. In total, I spent 14143 minutes listening to music, 80 percent more than other listeners in Italy did. My favorite track was Fear Of The Dawn by Jack White, followed by The Beginning by Native Soul, Sorcery by The Toxic Avenger, Spirals by Django Django, and Boy From Michigan by John Grant....