Studies have found that high levels of social media use are connected with an increased risk of symptoms of anxiety and depression. There appears to be substantial evidence connecting people’s mental health and their online habits. Furthermore, many psychologists believe people may be dealing with psychological effects that are pervasive but not always obvious. More here.
Ben Werdmuller has a terrific post up on his website. His “tortured” analogy of the web and governments as platforms for people to build upon is fascinating. I believe strongly in the indieweb principles of distributed ownership, control, and independence. For me, the important thing is that this is how we get to a diverse web. A web where everyone can define not just what they write but how they present is by definition far more expressive, diverse, and interesting than one where most online content and identities must be squished into templates created by a handful of companies based on their financial needs. In other words, the open web is far superior to a medium controlled by corporations in order to sell ads. The former encourages expression; the latter encourages consumerist conformity. ...
The Tripitaka Koreana - carved on 81258 woodblocks in the 13th century - is the most successful large data transfer over time yet achieved by humankind. 52 million characters of information, transmitted over nearly 8 centuries with zero data loss - an unequalled achievement. The full story is available here (via).
The New Yorker, in The Man Who Explains Italy: The Italian podcaster Francesco Costa thinks that the foreign press’s fixation on creeping Fascism in the country is overblown and unhelpful. If the center-right coalition wins, “Will Italy be a police state? No,” he said. “Will it be very badly run? Yes.” Full article is available here. I’ve been following Francesco Costa for a few years. He’s talented, conscientious, brilliant, and gifted with good humor. He deserves to be featured in The New Yorker. ...
Jacob Kaplan-Moss’s hot take on software quality: Software quality is more the result of a system designed to produce quality, and not so much the result of individual performance. That is: a group of mediocre programmers working with a structure designed to produce quality will produce better software than a group of fantastic programmers working in a system designed with other goals. This leads to the insightful conclusion: Instead of spending tons of time and effort on hiring because you believe that you can “only hire the best”, direct some of that effort towards building a system that produces great results out of a wider spectrum of individual performance. ...
This week the “Sunday Morning Reading Award” goes to Lisa Whittington-Hill, for her The Women Who Built Grunge on Longreads: Bands like L7 and Heavens to Betsy were instrumental to the birth of the grunge scene, but for decades were treated like novelties and sex objects. Thirty years later, it’s time to reassess their legacy. More here.
Robin Rendle quoting Neil Gaiman, who is quoting G.K. Chesterton: Fairy tales, as G.K. Chesterton once said, are more than true. Not because they tell us that dragons exist, but because they tell us that dragons can be defeated. I read somewhere that he based the Gilbert character from The Sandman on Chesterton, so it’s no surprise to find Gaiman quoting Chesterton in Smoke and Mirrors. Wanting to find the work in which the quote first appeared, I did a little research only to discover that G.K. Chesterton never actually wrote it. According to E.M. Goldsmith1, Gaiman’s is a rework of the following original quote: ...
As part of his captivating Hidden Heroes series, Steven Johnson publishes an account of the mother of all demos. More than 50 years ago, Douglas Engelbart gave the “mother of all demos” that transformed software forever. The computer world has been catching up with his vision ever since. More here
Open Culture shared a “jaw-dropping visualization of John Coltrane’s ‘Giant Steps’ solo.” Indeed, it is stunning, beautiful and valuable. A visualization like this makes music much more accessible. Quoting Open Culture: Coltrane’s complexity is daunting for the most accomplished musicians. How much more so for non-musicians? It can seem like “you need a doctorate of music to go anywhere near his recordings,” Nicholson writes. But “nothing could be further from the truth.” With its dancing lines and circles, Brother’s visualization gives us another way to appreciate the “sheer joy of music making and the power and energy of his playing” that inspires students, serious fans, and newcomers alike through “universal values that still speak to us now.” ...
Bret Devereaux has long been my go-to source for all things ancient and military history. One thing I somehow missed reading from his incredibly resourceful website is the This Isn’t Sparta series. He recently published a three-year-anniversary series retrospective which promptly surfaced on my RSS feed, giving me a chance to catch up over the holidays. The whole thing is a very long read, with some installments more engaging than others but overall very enjoyable, eye-opening, and information dense. In the just-published retrospective, Bret writes: ...