The woods, the jungle, the forest are the boundary between the wild and the civilized, a place of shelter and legendary fears, of hiding and losing oneself. A place of wonder and unease. [..] But what a mythical power lies in this tangle of nature, shadows, and roots, where the unconscious of the world can be found. – Vinicio Capossela

Eve v2.2.4 was just released on PyPI. It is a minor update, with a validation fix contributed by smeng9. See the changelog for details.

Brian Eno’s Ambient 1: Music for Airports is a landmark album in ambient and electronic music. Although it wasn’t the first ambient album, it was the first album to be explicitly labelled as ‘ambient music’. [..] In this article, I’ll discuss how Music for Airports was created, and I’ll deconstruct and recreate the tracks 2/1 and 1/2. Hopefully, the article will demystify some of Brian Eno’s techniques, and give you some ideas about how to adopt some of his ambient music techniques yourself. ...

I think of it [the usefulness of writing] like breathing but for ideas. We do so much reading all day—there should be a natural balance with producing words too. Inhale, exhale, inhale, exhale… Joe Boudreau in On 10 Years of Writing a Blog Nobody Reads, an article I agree 100% with.

I presented a session at the .NET Conference Italia 2025 in Milan a couple of weeks ago. The title was “Integrating our applications with LLMs and AI via MCP Servers”. It was well received; there were good questions throughout the talk and in the hall afterward. Surprisingly, live coding and demos went relatively smoothly. The fine guys at ASP Italia just published the video in case someone is interested. Yeah, it is in Italian. I got a transcript from MacWhisper and then asked Claude to translate and clean it up. It did a pretty good job, so let me know if there’s any interest in an English transcript; I might post it here. ...

If you want to understand time — which is how you come to befriend life — turn to stone. Climb a mountain and listen to the conversation between eons encoded in each stripe of rock. Walk a beach and comb your fingers through the golden dust that was once a mountain. Pick up a perfect oval pebble and feel its mute assurance that time can grind down even the heaviest boulder, and smooth even the sharpest edge. ...

With all the medium-to-very-low-quality productions we’ve been accustomed to from Netflix, it was a pleasant surprise and a relief to watch Train Dreams last night. I’ll quote the most recent review on IMDb: Robert’s life is gently lived and not without profound tragedy. The film evokes our own memories, little joys and sadnesses, discoveries, losses, and hopes, bringing grace to our self-reflection. The film is heartbreakingly beautiful. Acting, editing, and direction are just right. ...

I was walking early this morning, as usual, when I came across an unusual advertising sign. It was in Spanish, text only, red background and black typography. I don’t comprehend Spanish well enough to read it, so I photographed it and sent it to Serena, who promptly replied with the translation. Embarrassingly, just yesterday, I got a severe reprimand from Serena because I did not know or remember what day it was today. When I got back, I traced the source and found that the sign is actually available in several languages. ...

The story that the Python micro web framework Flask started as an April Fool’s joke is well known in Python circles, but it was nice to see it told by Armin Ronacher himself1. I’m fond of Flask. It was a breath of fresh air when it came out, and most of my Python open-source work is based on it. The video is produced by the people who also authored the remarkable Python: The Documentary. ↩︎ ...

The theory that people no longer read as much as they used to is put forward by people who no longer read as much as they used to. – Francesco Farabegoli